Born in the late 1970s, American artist Chris Faccone has been creating his whole life. From setting up elaborate adventures for his action figures as a kid, to working as a tattooist in his 20s, and immersing himself in the world of underground art and toys from his 30s onwards.
A man of many styles, all of which are imbued with his own personal touch. Chris’ works bring to mind 1970s fantasy art, comics and action figures of the 1980s and 1990s; along with the underground comics scene of today. Winning him countless fans and clients – Including fellow indie toy makers Zoloworld.
In addition to his art, Chris has also been making music for many years. Releasing a variety of electronic, hip-hop, and chillwave inspired albums under aliases such as Kenobii and Savage House. A medium that allows Chris to explore other sides of his personality and artistic vision.
Recently, Chris has been focussing much of his time on the designer toy world after first dipping his toes into the scene about a decade ago. Having released his ‘Legend of Cold Tears’ soft vinyl series and the first figure from his new line ‘Damn Devil’ to much acclaim in 2023 and 2024; with lots more on the way!
Wanting to learn more about him, we sent Chris some questions to answer over email.
Jump into his world, below…
Getting Acquainted
Name and date of birth?
City, state, and country you currently call home?
City, state, and country you’re from?
Chris Faccone, born in the late 70s in the “armpit” of the United States of America.
I still live here today, but soon, I plan to escape its grasp.
Please describe some memories – such as art, music, writing, friendships, adventures, study, romance, politics, travel, religion, work, crime… anything really – from the stages of your life noted below:
* Your childhood:
One of my earliest memories is the day I learned I was too old to play with toys…
I woke up one Saturday morning and skipped all my favourite cartoons because my childhood best friend was coming over to play G.I. Joe with me. I set up the whole backyard like a video game, spreading all the bad guys out and creating an adventure to get to the main boss and save the day.
I dug holes, made cages out of sticks, hid stuff under leaves, and set up ambushes for Cobra to try and hold us back. Some Joes were trapped in each boss area, and they depended on us to save them. It was a mission for Storm Shadow and Snake Eyes. His favourite was Snake Eyes with the two blades on his chest, and mine was the hooded Storm Shadow.
Those were the days when my creativity knew no bounds.
After hours of setting everything up, my friend finally arrived. I was so excited for him to experience it. I grabbed his figure and handed it to him. But instead of taking it, he looked at me with an uncomfortable, disappointed expression and said, “Don’t you think we’re a little too old for toys?”
Then he waved his hand and said, “Come on, the girls are out front!” and ran off.
I was so confused. My heart was crushed, and all the work I did that day went unseen. I looked at Snake Eyes in my hand, and anger filled my veins. I muttered, “Girls?” Then I threw Snake Eyes as hard as I could, screaming, “FUCK GIRLS!”
I ran to the front yard and started dropping elbows on every girl out there until they took off on their bikes. The funny part is, so did my friend.
Then we went off to do some other kid stuff like building forts because, apparently, that was still acceptable for our age. Whatever…
That experience taught me to be entertaining and enjoy my work for myself.
Even to this day, I draw for myself, not for anyone else. I could draw in a more digestible style, but that’s not me. I think that’s what makes me overlook my accomplishments too. I need to work on taking a moment to really appreciate what I’ve created. Most of the time, I’m just glad it’s over.
* Your teenage years:
I really liked this girl. She was strong, fit, and into sports. I was never into sports like my other friends. I was the nerd drawing at my window while they played catch in front of my house, and we talked through the screen.
One day, my best friend and I took a long bike ride across town, probably an hour or more, to see her. I went further than I was allowed to go, but it was for love.
When we finally got there, I mustered the courage to knock on her door. I was so nervous. She opened the door, looking confused since this was the first time she had ever talked to me. I don’t even know if she knew I existed.
She said, “Yeah?” and I asked her out.
She looked me up and down and asked, “Well, do you play football?”
I said no.
“Are you a wrestler?” No.
“Do you even play any sports?”
“Afraid not,” I replied.
Then she delivered the smackdown: “Then why would I date you?” and slammed the door in my face.
That was my first romantic rejection, and I’ll never forget that day. It probably instilled some trauma about self-worth and credentials. Haha. Maybe that’s why I’m so rebellious when it comes to working for companies. I don’t need them to have self-worth! I’ll start my own company and release my own work!
* Your 20s:
Fast forward to my 20s. I had some pretty interesting girlfriends.
The one that stood out the most was this punk chick I dated. She was kinda scary. She used to yell at her mother, and that’s how they communicated, so she kinda yelled at me and my friends too.
She also left empty Pepsi cans everywhere, and my friend Rick swore they were hidden cameras.
This relationship didn’t last long.
I was like a businessman when it came to relationships. If you weren’t doing your job right, I fired you and found someone to fill your place. I knew what I wanted early in life. I wanted someone moving at the same speed I was with growth. If I felt I had to slow down to wait for them to catch up, I was out.
So, I walked down to a payphone to get some privacy and broke up with her.
But first, let me build up her craziness.
She used to yell all the time, leave spy cams, and hit people who pissed her off. One punk show later, she got so mad she left the building. Then she came back with a small cut on her forehead and said to my friend, “Someone broke into your car; your sliding door window is shattered.” We ran out and saw his window was smashed.
We didn’t think much of it until the ride home when we started questioning why her head was bleeding. Someone later that week said they saw her get so angry she head butted the window and broke it.
I knew I was in trouble and had to get out of this relationship.
So, I broke up with her over the phone.
She went off and then hung up.
I never felt so free in my life. I went home that night, happy, got into my boxers, grabbed a book, and started reading in bed. Next thing I know, the garage door opened, and she came roaring in, screaming, “You apple pie-eating motherfucker!” (I still don’t know what that meant.)
She tried to grab my weights but couldn’t lift them, so she grabbed my heavy punk pants and started whipping me with them, yelling, “I could’ve blown so many guys, but I wasted my time on you!”
She was pissing me off, so I got out of bed and started walking towards her quickly. I noticed a white car running, waiting in the street. She ran and jumped in.
I was so mad I was the entertainment for them that night. I ran after them, grabbed a small brick from my mother’s garden, and chased them, but I couldn’t catch them. I’m glad I didn’t because I would’ve thrown that rock through their back window. I wasn’t thinking straight.
That was the last I saw of her. She took off to the other side of the country.
* Your 30s:
Hmm… I don’t really remember much from that decade; I think I was in study mode.
I changed professions.
I worked as a tattooist for 21 years and then transitioned into a job with the union for a school district. It’s not something I want to stay in much longer. I’m planning to wrap up my pension and move out of state.
I got involved with crypto, and it did really well for me, changing my life financially for the better.
I knew I had to get out of tattooing when new shops started popping up on every block, and I was making only $60 a week. The day a kid with an obvious drug addiction came in, talking about getting a tattoo while a bright green snot the thickness of snow slowly crawled out of his nose, I was completely grossed out. It dangled for a foot.
I told him to come back when he was feeling better. He was confused and said, “Huh?”
I said, “Dude, you have a foot-long snot hanging out of your nose, and you don’t even feel it.”
Embarrassed, he wiped it off so fast that it smeared all over his face and hair. He agreed, apologized, and I never saw him again.
In my 30s, I learned how to deal with the public. It can be challenging. You never know what is going to walk through that door, especially when you’re alone. I have some crazy stories about tattooing.
One time, a curious and rebellious kid came in. I was tattooing his leg, and I had him on a table with his head outside the door, close to whoever came in.
This scary-looking individual walked into the shop that day, holding a duffle bag. One look at him, and I knew he wasn’t safe to be around. Normally, I would kindly remove someone like him from the shop with a fake appointment that I would later cancel, but the kid was in my way.
The kid, very curious about the man, started questioning his beliefs after hearing what he wanted as a tattoo. I think he asked for some type of Nazi piece. I showed no judgment and said I couldn’t take him today but knew a shop up the street that was open. It was a low-brow shop that took in these types of characters daily. That was usually my first defence against these types.
Unfortunately, the kid kept talking to him, questioning his beliefs.
They started going back and forth.
This was still a time when you could get your ass kicked, before the woke movement started. The kid, aggravating the unstable man, then noticed his duffle bag. It looked like it was filled with guns.
The kid goes, “What’s in the bag?” After the kid asked, “What’s in the bag?” the man sneered and said, “You want to see what’s in my bag, you little prick?” He then pulled out a latex mask that looked like another human’s face, put it on, and said, “They’ll never know it’s me.”
With that, he high-tailed it out of there.
The kid nearly shit his pants and looked back at me, saying, “Did you see that? What the fuck?”
I said to him, “Dude, are you trying to get us both killed? Why the hell are you asking what’s in the bag?”
We survived that day, thankfully, but it was just another reason for me to get out of the tattooing business. It’s not an industry I want to work in ever again. It’s very dangerous – you’re either dealing with hepatitis or lunatics.
I even had a gun pulled on me and pointed an inch away from my head. I can’t get too much into that, but it definitely added to the pile of reasons not to be a tattooist anymore.
Now, I have a job that is boring and predictable, but it helps get me to financial freedom.
As I look back on my 30s, I realize how much those experiences shaped me. Each encounter, from the drug-addicted kid to the guy with the latex mask, and even the time I had a gun pulled on me, added to my resolve to seek a safer, more stable profession. Tattooing was a wild ride, but it was also a constant gamble with my safety.
My current job might not be thrilling, but it provides stability and a clear path to financial freedom. I’ve learned the importance of finding a balance between passion and practicality.
While I miss the creativity and unique interactions of tattooing, I don’t miss the danger. My focus now is on securing a future where I can pursue my passions without compromising my safety or peace of mind.
The journey has been anything but dull, and each step has taught me invaluable lessons about resilience, adaptation, and knowing when to pivot.
Here’s to moving forward, embracing new opportunities, and finding fulfilment in both work and life.
* Your 40s:
Now in my 40s, I realize I got into crypto. My bad.
This is where I would like to be for a day job, just day trading. While doing that, I can work on my art, creating books, and designing toys for Barbarian Brothers, my own vehicle that carries all the things I create.
My 40s have been about health and letting go of the past, shedding values connected to my past beliefs like looks, taking things too seriously, and certain people. I’m learning that time is very valuable and not to waste it. I set little internal alarms for my body to go off when it starts to notice I’m giving too much attention to something not pleasurable or practical.
I’m also learning to ask myself why I’m acting in certain ways and whether it’s really benefiting me or if I’m seeking attention or getting emotional.
I’m trying to be more self-aware so I can better spend my remaining years. You never know how much time you have left, so use it wisely. Think of these days like counting calories; you don’t want to waste time on meaningless activities that detract from more nourishing pursuits.
I’m not a control freak; I just know time is my most valuable asset and I don’t like to give it away unless it’s beneficial. Especially with people, because they often take time for granted. I watch a lot of older people at my job and see where they went wrong in life. I try my best not to follow their same mistakes or give myself the same mental roadblocks they give themselves.
I think I learned to watch older people when my parents failed me and themselves when they went bankrupt when I was a child. Moving away from my best friend changed my whole life forever. I found out early that no one can protect you, not even your parents, and you’re alone in this game of life.
That’s why I always wanted to work from a very early age so I could provide for myself.
I also noticed that my sister and I were part of their problem because they couldn’t afford to have kids. Kids cost a fortune, and I knew early on in life I wanted to be free with no setbacks and not have someone dependent on me. I also like to flow in life and really don’t want more responsibility placed on me.
Personal motto(s)?
“It wouldn’t be there if it wasn’t.” No, that’s Mouth’s motto from The Goonies.
Mine would be, “Time is your most valuable asset, don’t give it away for free.”
I already explained why.
Another one is, “Can’t be friends with everybody.”
I learned this starting my new job. I went from everyone wanting to be my best friend in a tattoo shop to only having small talk at my current job.
“You can’t help people; they will find their own way.”
This motto comes from people I have tried to help in my past who really don’t want to change their lives. They just want attention and create roadblocks because it’s easier to stay in the same situation than to look at oneself and one’s own actions.
“Sometimes people are here to mirror your own actions you are not aware of.”
When someone pisses me off these days, it’s usually because I realize I do the same thing myself and need to change. Life brings these people into my life to show me how I’m being an asshole.
“We are here to experience life by creating and to experience what others created.”
I truly believe this. I went through a whole study of patterns in life in my early 40s and this is what I came up with. I really don’t think it can be argued.
“That’s life!”
I stole this from one of my co-workers who didn’t have time for your bullshit drama. It was her way of getting you to stop bothering her. So it’s a reminder to move on – shit’s not that serious.
Oh, and one more thing: there’s Jack Kirby‘s motto, “It’s not perfect, but it’s done.”
It’s funny – we have a similar motto at my work: “It’s not perfect, but it looks better than it did.“
These mottos have shaped my perspective and guide me as I navigate through life, helping me stay focused on what truly matters.
What role did toys play in your childhood?
… and any favourites you remember?
Boglins played a big role in my childhood because I created an imaginary friendship with them as if they were dogs or something. I took them everywhere with me like a security blanket.
I even tied them to my skateboard later on.
Creativity Questions
When and why did you first become interested in art, toy-making, and everything creative?
… and any pivotal moments or influences?
My first memory of drawing was when my aunt needed me to stay busy while she watched her shows, so she asked me to draw Garfield. I drew it just like the picture, and she freaked out at how good it was for a 6-year-old.
From that day, I loved the attention I got and kept drawing until I did it for myself.
Now, I draw to keep emotionally centred. It’s my meditation, one of the best ways to block out the outside noise of life. It’s just me doing what I’m meant to do on this earth.
In my 20s, I met Guy Dorian, and that’s when I started taking drawing seriously. I saw him at a show where he was presenting classes through a small TV, and I knew he was the one. I was lucky enough to find out he was local, so he took me under his wing and essentially taught me how to teach myself. I learned under him for two years.
Funny enough, right after that, I got into making music and took a very long break from drawing after Marvel rejected me. I knew I wasn’t ready, and I think I just wanted a break from learning.
I wanted to add, there was a time when I struggled to find my voice with art. I jumped from artist to artist, learning how to draw by mimicking their styles until one day I realized I was borrowing too much.
For anyone curious about how I developed my own style without copying, here’s a tip: limit yourself to 1 or 2 elements at most from another artist. For example, if you admire Jack Kirby’s hands, borrow that, and if you like Sam Keith’s approach to hairy arms, incorporate that too. Over time, blend these influences into your own unique voice. People will appreciate it because they’ll see familiar elements presented in your distinctive way.
I remember a time when I was so down about not having my own voice that I vented to David Bullock on the phone for like an hour, and he did his best to encourage me. In the end, it all worked out great.
My style may not be highly marketable, but it’s mine, and I prefer to stand out and be memorable rather than blend in with the easily digestible mainstream.
Finding my artistic voice has been a journey of self-discovery and perseverance. It’s about expressing myself authentically and creating art that resonates with me before I care what others think.
If you had to explain your creative endeavours to some recently crash-landed aliens…
What would you tell them?
I believe my work could serve as a perfect introduction to what it feels like to be on our planet for the first time. I’ve always considered myself an outsider, and recently, I’ve embraced this identity with hashtags like #outsider #outsiderart #outsiderartist.
Feeling like an alien on this planet has been a lifelong experience for me. I never felt like I fit in anywhere, not even with my family while growing up. My mother always thought I was weird, and my sisters consistently left me out of things.
However, my dad was incredibly supportive. He may not have fully understood what I was doing, but he was proud of my efforts.
Even now, I’ve noticed a decline in engagement, possibly because my style has diverged from the fan favourites. Of course, there are always people who are afraid to embrace something new, preferring to stick with the familiar to feel safe amidst the unknown. Some simply can’t accept something different without reaching for the familiar to decide whether they like it or not.
As for the stories and characters I create, they often revolve around individuals abandoned by their families or tribes, searching for a place to belong. They forge their own emotional support systems and learn to nurture themselves.
Interestingly, I’ve realized this mirrors my own experiences of feeling abandoned by my family, suggesting that my creations are a form of therapy for me.
Recently, I’ve delved into astrology to craft more compelling characters based on the 12 astrological archetypes. My deepening interest in astrology was spurred by my involvement in crypto and my interactions with Virgos.
I’m referring to the complex astrology that takes years to fully understand, not the simplistic sun sign astrology most people think of.
I think aliens would enjoy my work after their visit.
Who are some of your favourite toy-makers, writers, filmmakers, artists, and musicians?
…and what is it about their works that so inspire and move you?
Another artist who has profoundly influenced my approach is Jack Davis, known for his expressive style. But I’ve also been inspired by storyboard artist David Jonas, whose encouragement to embrace the freedom of line work has been transformative for me. From now on, I’ve sworn off striving for perfect lines – they’re the devil!
In terms of colour, Frank Frazetta stands out for me. His mastery of colour adds a whole new dimension to his artwork that I find captivating.
Switching gears to film, I admire the work of Woody Allen, whose wit and style I see echoed in Ralph Bakshi‘s animations. Bakshi’s work, in turn, led me to discover David Jonas.
I often find myself revisiting films from my childhood or those inspired by that era, as they evoke a sense of wonder and nostalgia that’s still magical to me.
In music, my tastes lean towards Windows 96, vaporwave, and chillwave genres. Artists like Boards of Canada also resonate deeply with me.
Music is not just a passion but a creative outlet; under various aliases like Kenobii, Canyon Group, Ghost Driver, Savage House, Sunset Cruising, and Street War, I explore different sonic landscapes that harken back to the simpler, more wondrous view of the world I held as a child.
Despite my fondness for nostalgia, I find the current cultural landscape disheartening at times, with its pervasive “me-first” mentalities. It’s why I often dream of escaping to the countryside, where I can find solace away from the noise and reconnect with a quieter, more genuine way of living.
Overall, these creators and genres have shaped not only my artistic style but also my perspective on life, inspiring me to continue creating and celebrating the beauty and complexity of the old world through my work.
When I speak of longing for the “old world,” I’m not referring to outdated social constructs. Instead, I’m drawn to the ghostly atmosphere of the past, where creative ideas flourished and colours were vibrant and full of life. Nowadays, it seems everything has become dull and uninspired, mimicking only what’s considered safe and marketable.
I yearn for that earlier time when creativity knew no bounds and every artistic endeavour was infused with a sense of wonder and daring innovation.
How did you come to connect with John aka Barely Human to expertly assist with your recent toy line – Barbarian Brothers?
Speaking of which – Please share the current process and materials used to create your wonderful soft vinyl toys!
From original sculpt, to sourcing factories, production, packaging etc.
You see, I was totally fed up with mainstream toys – it’s like they hit a creativity ceiling, and my childhood favourites were being mocked in the process. So, I dove into sofubi, starting with the Frenzy Bros collection. Managed to snag the whole set and even traded artwork with the creator!
Then, out of the blue, my old art teacher buzzed me up, all curious about toy making, especially since I’ve been dabbling with companies like Zoloworld. You know, getting a peek into factory life and all.
While I was hustling, I stumbled upon Barely Human’s work, and man, I was hooked. He’s a fellow outsider, doing things I’ve never seen before – just like me! His stuff resonated with that same spark I felt growing up.
Later on, I crossed paths with Resinagem, who was surprisingly chill about letting me into his world. Most guys gate keep, but not him. He even introduced me to Alex over at Spectoys in Brazil, who nudged me to connect with Barely Human. And boom! That’s when the magic started.
I tossed John my designs and said, “Make it your style, but with my characters.”
And you know what? He nailed it, just like I sketched it myself.
Right now, I’ve got this series called Cold Tears and a spinoff, Silent Snow. They’re all about loss, finding your way again – it’s not all sunshine and rainbows, you know?
Mainstream stories used to wrap things up with a bow, but I give my characters the works, then nudge them toward a coping kind of ending.
And guess what? I’m back at it with Willy Sculpting, cooking up a biker project called Damn Devil. Had to step away from the whole barbarian scene – it’s all just too overdone right now. I want my work to stand out, not blend in and get lost in the shuffle.
Inflation’s not making it any easier to sell, either. People are watching their pennies like hawks!
But hey, I’m all about pushing boundaries, staying true to myself, and creating stuff that makes people think twice. That’s my vibe – original, unexpected, and hopefully, unforgettable.
If people wanted to check out your stuff, work with you, or buy some of your wares – Where should they visit and how should they get in touch?
You can find all my work in my shop at theburningvillage.com
Any news, upcoming projects, or releases to share?
I have a short story comic in the works that I’m currently producing, along with a few gag comic magazines that I’m looking to release. These will be similar to MAD but fantasy-related.
I’m also making more soft vinyl figures and plan on doing a monster series soon, sometime next year.
Odds & Ends
If you could live in any place, during any historical era – Where and when would that be?
… and why would you choose that time and place?
If I could hop into a time machine, I’d dial it back to the late 70s. That era was like a goldmine of creativity, especially in the realm of fantasy. Everything felt ground-breaking and daring – creators and producers weren’t afraid to take risks and explore uncharted territories. It was a time when the air crackled with innovation, and new ideas seemed to burst forth like fireworks.
The vibe was fresh, different, and utterly captivating.
Being there would be like diving headfirst into a pool of endless imagination and artistic freedom.
What are the top 3 items you own?
… and what is it about each of them that you so love?
It’s funny you ask about my three favourite items because I’m currently in a “trim the fat” phase, focusing on keeping only what I truly need and selling the rest. My collection has started to feel a bit overwhelming, and I need more space to breathe.
However, there are three items I’ll never part with:
Masters of the Universe Megator figure: This thing is an absolute beast and has amazed me from the first moment I laid eyes on it.
My Bakshi cell collection: I’m among the top three largest holders of Bakshi cells in the world, and these films have expanded my mind beyond the realm of barbarians.
My Frenzy Bros sofubi collection: It’s so rare that if I were to sell it, I know I could never replace it.
Each piece is a treasure in itself.
I do have a soft spot for the Royal Red Guards from Star Wars, the Emperor’s loyal protectors. I started collecting them a few years ago, and they hold a special place in my collection as well.
In a fight between the following fantasy characters: Frodo Baggins (fictional character created by J. R. R. Tolkien) Vs. Cerebus the Aardvark (comic character created by Dave Sims) – Who would win?
…and why?
I’ll go with Cerebus. I hate hobbits; they gross me out.
It’s the one film from Bakshi that’s hard for me to get into, and I didn’t care for the movies.
I just don’t like hobbits.
If you had to sum up your home country of America in one object – What would it be?
Why did you choose it?
… and how does it represent America to you?
A pot because every other country is here, and when you put it all together, you get America.
It’s funny when I hear foreigners talking about America like it’s bad, but their people contribute to what this country is as a whole.
America is basically the whole world in one place.
I love this country and am proud to be an American, but I feel it’s definitely not the 80s anymore.
Liking your country is seen as a bad thing now, and people view it as if you’ve chosen a side of one of the two political parties that manipulate their people to deflect blame onto others instead of themselves. Society has fragmented into a collection of small cults. I pretty much give my view of how I feel about this place throughout this whole interview.
I think there are cycles to every society, though, and we are just going through one now.
I just wish people had a better understanding of how things work before sharing opinions. Especially in the financial sector.
Please describe your last dream in detail…
I drink a lot before bed; I love my spritzers, so I’m up pissing all night. That’s why I think I have nightmares – to wake me up so I don’t wet the bed.
I wonder if there’s a study on nightmares related to urination…
Anyway, my last dream was a collection of thoughts I had last week about being physically inferior to a younger guy, especially one who could wrestle. I was watching reels, and this kid was challenging people, using their momentum against them with such speed, strength, and smarts that I thought to myself, “I’d break if he fought me on the street at my age.”
The tough thing is, I look very young, and when I go to the gym, these kids think I’m their age. Sometimes they stare at me or give me the stink eye, making me their gym enemy. I don’t know what that’s about, but it usually puts a spotlight on me for that kind of drama.
What does God mean to you?
God means the creator, not in the sense of Christians, but as an artist.
I feel there could be a few things going on with God. Firstly, He is all of us experiencing what He created, giving little reminders to look above to return home.
Alternatively, He created everything and wanted His creation to do the same by experiencing what it created, what you created, and what others created all at once.
The universe is also happening simultaneously, causing things to expand and interact, creating new experiences as we attract these things towards us. I feel there is both attraction and a sense of randomness; the world is chaos, and God is chaos.
People dislike that second notion because it makes them feel they have no form of control. But another one of my mottos is: ‘You are never secure until you know you are not secure.’
Of everything you have done so far, what would you most like to be remembered for?
As for being remembered; I don’t have a choice…
I think I would be remembered for the artist who was never consistent. I’m always redeveloping my style, even in the middle of a story.
Links
- Chris Faccone – Website
- Chris Faccone – Instagram
- Chris Faccone – Facebook (Art)
- Chris Faccone – Facebook (Personal)
- Chris Faccone – LinkedIn
- The Burning Village (Store for all of Chris’ projects, art, and toys) – Website / Shop
- Barbarian Brothers Toys – Instagram
- Kenobii (one of Chis’ music aliases) – Bandcamp
- Savage House (one of Chis’ music aliases) – Bandcamp
All images supplied by Chris or sourced online.
